When looking at Andy Warhol’s painting of Geronimo — a leader and medicine man of the Bedonkohe band of the Apache tribe — b: william bearheart wonders who the Geronimo of the painting is looking back at, and who is looking at it. In many ways, this poem reflects on how this piece of art depicting an Indigenous American was painted by a White person for White people. However, the poet finds connections — of pain, occupation and experience — between himself and Geronimo; and the poem challenges the centrality of the White european gaze.
b: william bearhart is a direct descendent of the St. Croix Chippewa Indians of Wisconsin. A graduate of the Lo-Rez MFA program at the Institute of American Indian Arts, bearhart’s work appeared in numerous journals and anthologies, including When the Light of the World was Subdued, Our Songs Came Through (W. W. Norton, 2020). His work can be found in Bloom, North American Review, Plume, Prairie Schooner, and Tupelo Quarterly, among others. bearhart worked as a poker dealer in a small Wisconsin casino. He died in August, 2020.
Find the transcript for this show at onbeing.org.
