How I Learned to Score for a Film

I think that having the storytelling tonal instinct for a film is very different from just being a musician. And it's something that I learned of course to have huge respect for those that had that in addition to their musicality. Their storytelling skills and chops. You kind of graced over you and Hawke wrote songs. The music supervisor who shall remain unnamed brought me the song and said, this is crap. It's not the first time my music has been called crap.

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