
Episode 381: Ludwig Göransson Talks Oppenheimer
Soundtracking with Edith Bowman
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Pre-Production of the Score
There are moments in the film where the violin is really kind of prominent and in different forms that are kind of telling us I think emotionally how the character is like when he's teaching for the first time. So you can have the intimacy of one solo violin but then for a quartet is joining and octet is joined and the whole ensemble is joining. You can there's so much you can do also with the dynamics, which is what's so interesting about this movie.
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