Mexican-born filmmaker Alejandro González Iñárritu talks to John Wilson about his cultural influences.
Iñárritu's movies are often epic in scale and ambition. He made his name with the Mexican gangland drama Amores Perros, and won critical acclaim with his next two Hollywood movies; 21 Grams and Babel. His 2015 black comedy Birdman won him three of his five Academy Awards - for best film, best director and best screenplay. He picked up another Oscar the following year for the brutal 19th century frontiersman drama The Revenant and was awarded a Special Achievement Academy Award for his virtual reality installation Carne y Arena in 2017. His most recent movie is Bardo, False Chronicle of a Handful of Truths an epic dream-like, semi-autobiographical black comedy-drama, which he co-wrote, co-composed, edited, produced, and directed.
Iñárritu reveals how working on cargo ships as a teenager later influenced the global scope of his filmmaking, and recalls his early career in the 80s and early 90s as a popular radio DJ in Mexico City. He talks about the powerful effect that the Austrian poet Rainer Maria Rilke's Letters to a Young Poet had on him. This collection of ten letters, published posthumously at the turn of the 20th century, advise developing a rich inner life in order to make great art, words that made a big impression on the aspiring filmmaker Iñárritu. He also discusses his love for the work of Italian film director Sergio Leone, and in particular his 1984 epic crime film Once Upon a Time in America.
Producer: Edwina Pitman
