You know, you mentioned the one % of the one %, and there's a really great montage of the clients, so much so that every time it flashed to one, i kept thinking, like, what's their story? And would you get like enough in the frame to sort of like start the wheels turning? Nin terms, like, who these people are? I'm sur hurs. How much did o no pun intended? How much did you flesh out, like, what each of their own stories were?

Ah, i had like, my own little interpretation. Those characters were not written into the script. That was something that i added. Oh, and so it was really something where i knew i wanted, at some certain points in the movie a sort of a break again, sort of like the tidl sequence. You needed a moment till i see something else and be reminded of the greater world, instead of just right inside of steve's house. And so i thought that that was, you know, it could be a really cool visual mechanism to tie in the greater group am, and without, you know, having to really, like, break into a new scene. And luckily, it worked out. But all the time, thete was things that i was taking, you know, taking some swings on am. And i know that, like, in the griupt there, she kept, laren, who wrote the script, aran con, she kept alluding to this other sort of, like society. And we always rerlike ot hower, we gan represent that visually. So it came down to that,

was there any of em in particular th youre like, i want to know what this guise see wor he is?

O gosh, i feel like this a bit of a spoiler to be toght us an, that's ver eotey go into it. But, i mean, tat each te they difenly each have their own little story. If you look closely enough, they each have an assistant amo them, and that sort of ties into their story. And i'll just leav it there, coreason

to go back and watch.