
Inside The New York Times's video strategy
The Business of Content with Simon Owens
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How Do You Work With the Print Side of the Times?
We were so cited by the raw assets that they had shared with us and what it revealed about the creative process. We really sort of landed on if we just talke to them in the way they talked to each other, i think that place as the strength of the story that we're telling. Good example is when we are covering a jamal kashogi's murder. If you dig deep enough and know how to find it, you can paint a picture that can confirm or deny something that's alleged. And we have an open source team that is relatively new, that has the skill set to knowHow to find that stuff.
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