The Dispassionate Critique

David Frum: In both of your writing work, you've in effect chosen door one because you're taking the posture of critique. For me, because I, my goodness, I come out of the religious right. And so for me, two things are happening at once. One is this kind of shock that character doesn't really matter. You know, it's all the ends justify the means. He says he was just wrong about some stuff and didn't understand race until his family changed.

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