Ede Bess is the great King of Thebes in the Bronze Age, so that's five or six hundred years earlier than the audience. So it's a bit like us watching something set in the 14th or 15th century. He was King of one of the most important Bronze Age Greek settlements. Archaeologists have dug it up. It had literacy. It was unbelievably wealthy. We've already got a crisis atmosphere of a very great person who's an enormously successful facing a crisis. Is it possible in your brilliant elliptical way to allow the story? I can indeed.
Sophocles’ play Oedipus Rex begins with a warning: the murderer of the old king of Thebes, Laius, has never been identified or caught, and he’s still at large in the city. Oedipus is the current king of Thebes, and he sets out to solve the crime.
His investigations lead to a devastating conclusion. Not only is Oedipus himself the killer, but Laius was his father, and Laius’ wife Jocasta, who Oedipus has married, is his mother.
Oedipus Rex was composed during the golden age of Athens, in the 5th century BC. Sophocles probably wrote it to explore the dynamics of power in an undemocratic society. It has unsettled audiences from the very start: it is the only one of Sophocles’ plays that didn’t win first prize at Athens’ annual drama festival. But it’s had exceptionally good write-ups from the critics:
Aristotle called it the greatest example of the dramatic arts. Freud believed it laid bare the deepest structures of human desire.
With:
Nick Lowe, Reader in Classical Literature at Royal Holloway, University of London
Fiona Macintosh, Professor of Classical Reception and Fellow of St Hilda’s College at the University of Oxford
Edith Hall, Professor of Classics at Durham University