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Dom Sylvester Houédard

Arts & Ideas

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The Border Between Concrete Poetry and Scores

A lot of the work to use Greg's phrase, border blurs between concrete poetry in some ways and scores as well. There are people like Cornelius Cardio in the 60s producing these amazingly beautiful graphics scores which have no set meaning but they're designed for oral interpretation. So it's perfectly feasible to argue, why shouldn't you perform a type of track? Does anybody tell me how that would sound?

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