How Did You Approach Thos Strips?

Iki: I think my brain like turned inside out, ind like trying to animate in a way that us to be happy with. But i went from the rough and from that stage i kind of getting the main motion of what i wanted. Like watching this animal move, the shoulder blades have the same kind of like slinkiness. And then the snap into the roar with the tail. The tail snapping is almost as important as the actual roar up. It's really, really tight, without feeling too clean, like it sometimes animation can get final lined and just feel too antiseptic.