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285 - Heather Pollington - From Hollywood To The Symbolic World

The Symbolic World

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The Importance of Story in Filmmaking

In Titanic, Rose looks out at a green Statue of Liberty in 1912. The statue would have not been fully oxidized and should have been a copper color. If you pull something up from the 13th century, that is no longer recognized, it's not going to work. "If I made a film in the Middle Ages, I would make it in a way that would make theMiddle Ages look like almost like how can I say this? Like a paradise," he says.

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