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'The Lost Daughter' Dir Maggie Gyllenhaal & Editor Affonso Gonçalves

IndieWire's Filmmaker Toolkit

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Ono Ild Is Missing

There's a transition from that, like, traditional thriller to what is this woman's mind and how does it work? I think partly is not to when o go to the past, not to completely answer anything. There are things the come, and they gos not like o. And this happens. That first time she goes back too was also something that really worked in the assembly. You can do any kind of cut you want. Justi see it, it is like, you know, this section is going to work well, because it just feels right. The cutting doesn't need to be just the way you expect. It can be emotional. Or sonic.

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