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Origins and Development of Effective Altruism
This chapter discusses the origins of the effective altruism movement, including the formation of organizations like Given What We Can and 80,000 hours. It explores how effective altruism encompasses different moral theories and brings together individuals with different moral commitments.
Effective altruism is associated with the slogan "do the most good." On one level, this has to be unobjectionable: What could be bad about helping people more and more?
But in today's interview, Toby Ord — moral philosopher at the University of Oxford and one of the founding figures of effective altruism — lays out three reasons to be cautious about the idea of maximising the good that you do. He suggests that rather than “doing the most good that we can,” perhaps we should be happy with a more modest and manageable goal: “doing most of the good that we can.”
Links to learn more, summary and full transcript.
Toby was inspired to revisit these ideas by the possibility that Sam Bankman-Fried, who stands accused of committing severe fraud as CEO of the cryptocurrency exchange FTX, was motivated to break the law by a desire to give away as much money as possible to worthy causes.
Toby's top reason not to fully maximise is the following: if the goal you're aiming at is subtly wrong or incomplete, then going all the way towards maximising it will usually cause you to start doing some very harmful things.
This result can be shown mathematically, but can also be made intuitive, and may explain why we feel instinctively wary of going “all-in” on any idea, or goal, or way of living — even something as benign as helping other people as much as possible.
Toby gives the example of someone pursuing a career as a professional swimmer. Initially, as our swimmer takes their training and performance more seriously, they adjust their diet, hire a better trainer, and pay more attention to their technique. While swimming is the main focus of their life, they feel fit and healthy and also enjoy other aspects of their life as well — family, friends, and personal projects.
But if they decide to increase their commitment further and really go all-in on their swimming career, holding back nothing back, then this picture can radically change. Their effort was already substantial, so how can they shave those final few seconds off their racing time? The only remaining options are those which were so costly they were loath to consider them before.
To eke out those final gains — and go from 80% effort to 100% — our swimmer must sacrifice other hobbies, deprioritise their relationships, neglect their career, ignore food preferences, accept a higher risk of injury, and maybe even consider using steroids.
Now, if maximising one's speed at swimming really were the only goal they ought to be pursuing, there'd be no problem with this. But if it's the wrong goal, or only one of many things they should be aiming for, then the outcome is disastrous. In going from 80% to 100% effort, their swimming speed was only increased by a tiny amount, while everything else they were accomplishing dropped off a cliff.
The bottom line is simple: a dash of moderation makes you much more robust to uncertainty and error.
As Toby notes, this is similar to the observation that a sufficiently capable superintelligent AI, given any one goal, would ruin the world if it maximised it to the exclusion of everything else. And it follows a similar pattern to performance falling off a cliff when a statistical model is 'overfit' to its data.
In the full interview, Toby also explains the “moral trade” argument against pursuing narrow goals at the expense of everything else, and how consequentialism changes if you judge not just outcomes or acts, but everything according to its impacts on the world.
Toby and Rob also discuss:
Get this episode by subscribing to our podcast on the world’s most pressing problems and how to solve them: type ‘80,000 Hours’ into your podcasting app. Or read the transcript.
Producer and editor: Keiran Harris
Audio Engineering Lead: Ben Cordell
Technical editing: Simon Monsour
Transcriptions: Katy Moore
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