The Actor's Guide to a Good Turning Point

Turning points are either active or revolatory. Active is about the deliberate, intentional transfer of energy in overt action that an antagonist sends into the context. The other kind revelatory is what i call a tell. And it's inadvertent, unintentional. So struthers does hear the killer kill the victim. He hears something like shut up bitch, or something like that. Ah, so he has already been a attuned to the noise. Struthers, without knowing the lieutenant is the killer, tells compelle that he heard the killer strike the victim and scream and yell something. Then when capelle witnesses rothers, hear that same voice, and then see capelli's like