Exploring the Roles of Viewers and Users in Interactive Cinema

Interactive Cinema: The Ambiguous Ethics of Media Participation (University of Minnesota Press, 2024) engages with a multitude of unconventional approaches throughout the history of motion pictures to offer insight into a range of largely ephemeral and site-specific projects that consciously assimilate viewers into their production. Through an exploration of radically inventive approaches to the medium, many of which emerged out of socio-political crises and periods of historical transition, Interactive Cinema works to by considering it in both technological and phenomenological terms.

Author Marina Hassapopoulou is Assistant Professor in the Department of Cinema Studies, at New York University’s Tisch School of the Arts. She is also the interim director of NYU’s Moving Image Archiving and Preservation program. She is the founder of open-source and collaborative initiatives including: Interactive Media Archive, ExpressiveAI.net, and Weird Wave Archive.

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