Wes Anderson’s new ASTEROID CITY is a self-aware film about making art from a director of exacting control, which put us in mind of Charlie Kaufman’s 2008 directorial debut, SYNECDOCHE, NEW YORK, a self-aware film about making art from a director of exacting chaos. Kaufman is one of our most-discussed filmmakers on this podcast, as both a writer and a director, but that doesn’t make parsing the immersive, shapeless, bleak SYNECDOCHE any easier. But we do our best to track Kaufman’s various obsessions through the film’s unconventional structure, and even attempt to unearth some moments of (arguable) levity along the way. Then the meta hijinks continue in Feedback, when a special guest calls in to put our hosts on the spot when it comes to their position on Charlie Kaufman, director.
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