The Director’s Cut - A DGA Podcast cover image

Spencer with Pablo Larraín and Rebecca Miller (Ep. 331)

The Director’s Cut - A DGA Podcast

00:00

How Did Johnny Greenwood's Music Work?

Most of music was sent before we actually start shooting. And then during the first two, three weeks, another big batch came in am and i would play it on the set. It's interesting. So he wrote it before you that's very unusual. I mean, generally to hand. Someajustems were made after, but the most of it was a ma before or but he was blind, if that's the thing. He didn't get to see senes ap intil were in the middle, half way through of production. The decision to use jack, that was somethingt was that coming from you? Not from him. He had the idea o using an abarok

Transcript
Play full episode

The AI-powered Podcast Player

Save insights by tapping your headphones, chat with episodes, discover the best highlights - and more!
App store bannerPlay store banner
Get the app