Kill Me, Ma'am. Kill the Name. Yeah, Yeah.

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"Kill me, ma'am" is one of the only songs in my career that I have not produced," he says. "I can't get that thing out of my head." It's supposed to serve a girl's name and it sounds kind of violent because you're singing as her persona. The song fits into your style - or do we want to choose after the fact? We could imagine we played a different song also then.

Changing technologies have always affected how we produce and enjoy art, and music might be the most obvious example. Radio and recordings made it easy for professional music to be widely disseminated, but created a barrier to its creation. Nowadays computers are helping to reverse that trend, allowing casual users to create slick songs of their own. Not everyone is equally good at it, however; Grimes (who currently goes by c, the symbol for the speed of light) is a wildly successful electronic artist who writes, produces, performs, and sings her own songs. We dig into how music is made in the modern world, but also go well beyond that, into artificial intelligence and the nature of digital/virtual/online personae. We talk about the birth of a new digital avatar -- who might be called "War Nymph"? -- and how to navigate the boundaries of art, technology, fashion, and culture. Her new album Miss Anthropocene will be released in February 2020.

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Grimes, or c, studied neuroscience at McGill University before turning full-time to music. Her previous albums include Geidi Primes, Halfaxa, Visions, and Art Angels. Her latest album, Miss Anthropocene, channels the goddess of climate change. On December 5th in Miami, she will be orchestrating the one-night-only rave Bio-Haque.