The End of Dole Little

The shift from the antihero to the hero was visually and literally black confidence. Even in the case of Superfly, he's an antihero. He plays it like a hero. Got a ton of criticism for that. It's this thing to going almost back to the Sydney Poitche thing where a lot of these movies are criticized by people who didn't see them. But what I was going to say too is that getting back to John Cowley's point, you know, and even Ron O'Neill says in the movie, we play for 20 weeks in Boston and we ran out of black people in three weeks. Right.