
Designing a Soundscape for the Cars of the Future
The New Yorker Radio Hour
00:00
How to Design a Sea Bell Warning?
The first thing i would do is change the pitch range. I would shift it up an octave. You want it to live kind of ono. Thousand to three thousand killhurd space. That's the most sensitive area for human hearing. Number two, i would address speed. The repetition in the notes, there's no obviously a certain amount of space between the notes. And i would probably tighten up the repetition cycle.
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