The more abstract and the closer you get to like evoking without without the words, I think the more when we have to interpret it with words, then we have a lot more freedom. And if there's one thing 2001, the film doesn't have is a lot of words. There were some things that like, had I known before, could have added to my interpretation, like that were just factual. Those questions in the work, but that's just that work.

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