Opera, Myth, and History

This chapter explores the multidimensional nature of opera as a conduit for transforming historical narratives into myth, engaging with contrasting philosophies of art from thinkers like Wagner and Mallarmé. The discussion highlights the intricate relationship between music, emotion, and narrative, emphasizing how operatic works can transcend mere words to express profound feelings. Additionally, it examines the evolution of poetic forms, the recontextualization of myth, and the existential themes that arise from these artistic discourses.