Cinematic Surveillance: Hollywood's Connection to Power

Brett, Thomas, and Steven have a comprehensive discussion of the 1998 Tony Scott film Enemy of the State, a movie with an underrated amount of conspiratorial significance. Scott is among the all-time best examples of intimate Hollywood/DC collaborations, and the film is the paradigmatic instance of predictive programming, for both 9/11 and the rise of the surveillance state. We have one of our most in-depth discussions of revelation of the method and cover how the movie functioned as a demoralization tool, both for the general public and potential whistleblowing insiders. 

If you enjoy Psyop Cinema, check out Cultural Engineering Studies magazine - https://decoding-culture.com/product/cultural-engineering-studies-issue-1-print/

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