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'High John the Conqueror: A Novel' and Beyond: An Interview with Tariq Goddard

Acid Horizon

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The Limits and Framing of Countercultural Work

I was thinking about the notes at the end of Dickens's bleak house and they're absolutely enormous. And I think with writing because the aim of novels is to fight your battles from hundreds of years from now, you know, to address eternity. It's sometimes be a tendency to not want too much local historical color in there because you trap it in context and you risk making it ephemeral and irrelevant. Although content in New Wealth was written in the 80s, I was slowly making my way back to the present day. Once I had done so, I was going to let rip with the politics. If acid communism doesn't exist in the world around us, it does in my work

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