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A More Luxurious Version of the Vocal Stretch
There's something weird and synthetic and metallic about this augrythmic time stretch, which is obviously very different from the natural acoustic effect of strings sustained. First dry, then a wet. Telatlalal b ba l. It was kind of a cocopheny. It made me realize just how warbly my voice is. I mean, even when you hit a tone, you're not really just hitting it straight on. There's a kind of a little li theres a little bend into it. And we can s here what can be done with these kind of stretchy things. The last example is going to be a little bit more luxurious still. This is a little bit