We're off this weekend, but here's a thematically appropriate episode from earlier this year. Come find us on Patreon for our recent political coverage, The Standard Edition series, and more Wild Analysis. We'll be back next Saturday.

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While Abby’s voice is still gone, Dan and Patrick take in a film on opening day and subject it to some wild analysis. The movie is Civil War (2024), and, to hear director Alex Garland tell it, it’s a dire warning of how things could turn out in the US sometime soon. But to Dan and Patrick it’s also something else – at once a symptom, a product of underlying anxieties, and a fantasy, a story that’s as revealing in what it sets out to portray explicitly as in what it obscures or avoids.  And so, after walking through the film’s plot and visual grammar (spoiler alert: there are spoilers after 1:05:00), they turn to the recurrent invocations of looming “civil war” in American discourse. How do our fantasies – and not just Garland’s – relate to the actual and “official” US Civil War of 1861-1865, and how do they distort the history of that conflict? For audiences sitting in a movie theater deep within the imperial core, what’s is and isn’t imaginable in terms of a “civil war,” and why must we, like Garland, turn to images of violence abroad in order to dramatize it?  What would another civil war actually look like in the contemporary US – and what do our anxious expectations of it in the future, as well as our fixations on fantasies about the past, betray about us and our moment in the here and now? Dan and Patrick ponder these and other questions as well as: the culture and iconography of twentieth century combat photography from Robert Capa and Gerda Taro to Eddie Adams and the Bang Bang Club; the gaps between the fantasies of armchair Operators and the horrifying realities of insurgent warfare; and how The Office and Parks and Recreation relate to War on Terror propaganda.

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