The New Yorker: Fiction cover image

Camille Bordas Reads Saul Bellow

The New Yorker: Fiction

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Is There a Roman Nose in the Story?

I found it, again, funny. But then i think there's like real love between them. I think that that last scene, i think, is beautiful. All the action happens in his head, and joan did nothing, but his view of her has changed entirely in a few minutes. And ye e suppose perhaps he instils in this unknown guy everything that he doesn't like about joan and her o family, heritage. Ye yets as funny, ecusi asa ye joan,. except joan has done nothingandis so again, like the story keeps being itself.

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