Playing With Fiction

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"i don't think about fiction in the same way that i think about exercise so i'll do my exercise and that's on autopilot and i've done it and i understand it whereas the fiction i might over exaggerate in terms of its exotic nature," he says. "I get to throw in all these weird loose ends that i don't know how i'm going to tie up and then i get to tap dance and sort of wrap Morse code on the wall and see what comes back." The book is a very slow read not because it's complicated but because there's just a lot to think about, writes David Walliams. 'It was a general conversation over years about the

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Rick Rubin (@RickRubin) is a nine-time GRAMMY-winning producer, one of Time magazine’s 100 most influential people in the world, and the most successful producer in any genre, according to Rolling Stone. He has collaborated with artists from Tom Petty to Adele, Johnny Cash to the Red Hot Chili Peppers, Beastie Boys to Slayer, Kanye West to the Strokes, and System of a Down to Jay-Z. You can find my 2015 interview with Rick at tim.blog/RickRubin.

His new book is THE CREATIVE ACT: A Way of Being.

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[00:00] Start

[06:28] Why Rick wrote The Creative Act.

[09:24] The Tao of Rick Rubin.

[12:16] Making the creative toolbox multi-purposeful.

[15:00] Collaborations: ensuring the best ideas prevail over egos.

[19:50] Creative revisions are experiments, not guaranteed improvements.

[26:44] Knowing when to be defined by or to deviate from an established genre.

[33:07] Why Rick resisted advice to make his first book an autobiography.

[37:10] Even a solo project is a collaboration.

[38:07] Noticing what nobody else sees.

[40:24] Being in the wonderful state “which makes art inevitable.”

[42:22] Craftsperson vs. artist.