How I Worked on Set on a Show Like This

I definitely kept the same show that I didn't really change that at all. What I did do was just obviously just the plan around CDLs a little bit and just adjusting levels up and down and that kind of thing when needed. And even while we're rolling in between take two, sometimes I would just do low color contrast or brightness tweak or something like that, that would just get it closer. It's a weird thing because I don't like the idea of sitting away from a director. But a lot of film sets now, especially on series, where the director sits, is such a, it's not what it probably was a while ago.