"Why do we write?" Sally asks herself this week, as she reads a novella by the 20th century writer DH Lawrence, a story of longing, dreams, desire and self-liberation. Sally is interrupted by the arrival of a gang of noisy pheasants, who annoy the local cat, the aloof and enigmatic Plucky. Sally reflects on the unknowable interiority of everyone - not just cats; and while spring cleaning, she finds a talismanic object - a faded cover of a much-loved, much-read book. Returning to Lawrence, she discusses how the bright shining physically grounded objects of the story generate a fairytale world, a place of enchantment and spells.

DH  Lawrence was born in 1885; the initials stand for David Herbert. He achieved as much infamy as fame in his lifetime for writings which promoted sexuality, vitality and the power of instinct; they were seen as scandalous and shocking to the sensibilities of the time. It wasn't until after his death in 1930 that Lawrence gained a favourable critical reputation; Philip Larkin said Lawrence “had more genius .. than any man could be expected to handle", while EM Forster called him "the greatest imaginative novelist of our generation".

Lawrence's critical reputation dipped again in the 1970s and he remains controversial today; in this episode, Sally highlights his desire to restore to literature an apprehension of the intimacy of the body and the physical presence of things.

The producer of the podcast is Andrew Smith: https://www.fleetingyearfilms.com

The extra voice in this episode is Emma Fielding.

Thanks to everyone who has supported us so far. Special thanks go to Violet Henderson, Kris Dyer, and Maeve Magnus.