How Much Do You Revise a Track Before Moving on to Something Other?

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If you're working on an album what are your guiding principles for how much to revise a given track before moving on to something else. How do you think about getting that album done in terms of origination iteration skipping around if an idea is new and it's flowing I would get as much of at least the first draft of it all the way through the first draft and then I would move on to piece two. no matter what even if you get it right the first time it's the only way to know yeah.

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Rick Rubin (@RickRubin) is a nine-time GRAMMY-winning producer, one of Time magazine’s 100 most influential people in the world, and the most successful producer in any genre, according to Rolling Stone. He has collaborated with artists from Tom Petty to Adele, Johnny Cash to the Red Hot Chili Peppers, Beastie Boys to Slayer, Kanye West to the Strokes, and System of a Down to Jay-Z. You can find my 2015 interview with Rick at tim.blog/RickRubin.

His new book is THE CREATIVE ACT: A Way of Being.

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[00:00] Start

[06:28] Why Rick wrote The Creative Act.

[09:24] The Tao of Rick Rubin.

[12:16] Making the creative toolbox multi-purposeful.

[15:00] Collaborations: ensuring the best ideas prevail over egos.

[19:50] Creative revisions are experiments, not guaranteed improvements.

[26:44] Knowing when to be defined by or to deviate from an established genre.

[33:07] Why Rick resisted advice to make his first book an autobiography.

[37:10] Even a solo project is a collaboration.

[38:07] Noticing what nobody else sees.

[40:24] Being in the wonderful state “which makes art inevitable.”

[42:22] Craftsperson vs. artist.