dan: My doctoral thesis was concerned with the origins of the distinction between consonants and dissonance. I looked at auditory short-term memory and as we talked about earlier all it did was deepen the mystery so unusual things cause our brains to hang on to them a little bit longer in some cases because we need to figure out what was that. If that happens too often it becomes aversive that music just becomes too novel too cognitively taxing but if it can happen once or twice in the course of a a nice pop song you're intrigued and interested enough, he says. Dan: Susan manages to be very rigorous and accurate with the science but in a way that doesn't make it seem
In this special episode, Susan Rogers, a record producer turned cognitive neuroscientist, and Daniel Levitin, author of “This Is Your Brain on Music,” get together to discuss what music has meant in their lives, debate what separates a great artist from a generic one, and share some of their favorite tunes.
---
Susan’s new book, “This Is What It Sounds Like,” was chosen by our curators — Malcolm Gladwell, Adam Grant, Susan Cain, and Daniel Pink — as one of the eight best works of nonfiction published last year. She recently made a beautiful video e-course about the book, which you can experience by downloading the Next Big Idea app.