Precets - I'm a Preset Guy, Yea

The lead vocal has compression, and then it also has a little bit of slapback delay s. Got really into slapback on this album for some reason. I like when words punch out and in backing vocals and they don't have all the consonants and loose ses or anything. And thena, that's an ominous fear patch that i thought cool. This is a massive patch, massive the native instruments pluggin. Little more parpisa too. Then there's some other leads overtop of that. So, o, these precets ore you creating these sound theyare very often precepts.

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In this milestone 100th episode of Tape Notes, John is joined by the Finneas at Lightship95 Studio, to talk about how he wrote, recorded and produced his album ‘Optimist’ and his new single ‘Mona Lisa Mona Lisa’.

Reflecting on the fluidity of his writing process, Finneas talks us through the varied methods and circumstances in which his tracks took shape, from the very first synth sounds that kick-started ideas, to the detailed sonic decisions that helped each element work towards a cohesive goal.

Alongside the production masterclass, Finneas looks back on his career so far, discussing his family’s involvement with his music and the impact they’ve had on his creativity. We hear stories from the early days of making music videos with his mum, vocal mic shootouts with Billie, and the essential advice that he still lives by.

Listen to find out why mediocrity isn’t a bad thing, how finishing a song isn’t too dissimilar to finishing a meal, and why the correct way to do something isn’t always the correct way.

Tracks discussed: How It Ends, Medieval, Mona Lisa Mona Lisa

LINKS TO EVERYTHING TAPE NOTES

linktr.ee/tapenotes

Listen to ‘Optimist’ here.

Listen to ‘Mona Lisa Mona Lisa’ here.

OYOY Inc, Interscope Records

Intro Music - Sunshine Buddy, Laurel Collective.

GEAR MENTIONS

Arturia Farfisa

Output Analogue Strings

FabFilter Twin 2

Spectrasonics Trilian