
The Artists Who Worked For The CIA (1960) w/ Benjamen Walker
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Navigating Artistic Patronage and Social Impact
This chapter examines the intricate dynamics of patronage in art, particularly within the contexts of the abolitionist movement and the Harlem Renaissance. The discussion highlights the influence of white patrons on Black authors, the challenge of maintaining artistic authenticity, and the impact of external forces like CIA involvement in publishing.
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