Every person is placed along the parapet in a adjacency with one or two or sometimes three people. The guiding principle of sax's work was something michael lerad called meaningful adjacency. Saks had to work out each of those relationships and determine the patterns behind all those long columns of names. He tried a hundred different ways to plan it out. Couldn't make it work. So, yes, i's kind of sad. But i just, you know, as i said before, just every name, every person, has so much importance.