Thomas Love Peacock didn’t want to write novels, at least not in the form they had taken in the first half of the 19th century. In Crotchet Castle he rejects the expectation that novelists should reveal the interiority of their characters, instead favouring the testing of opinions and ideas. His ‘novel of talk’, published in 1831, appears largely like a playscript in which disparate characters assemble for a house party next to the Thames before heading up the river to Wales. Their debates cover, among other things, the Captain Swing riots of 1830, the mass dissemination of knowledge, the emerging philosophy of utilitarianism and the relative merits of medieval and contemporary values.
In this extended extract from 'Novel Approaches', a Close Readings series from the LRB, Clare Bucknell is joined by Freya Johnston and Thomas Keymer to discuss where the book came from and its use of ‘sociable argument’ to offer up-to-date commentary on the economic and political turmoil of its time.
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