I don't know whether where the future is for so many different types of projects because they're so locally specific. The complications of socia, economic and political environments are different sor some of them will continue. In some of them, what might never reconnect. And then sort of after, what comes after, sort of survival mode? If things, you know, do improve, then are these communities better able to then return to these s and then tell,. you know, better stories their traditions, or well enough?" I've heard rumours that there's more to indian design then just sticking elephants on things, and that sort of indian culture is far broader than the yoga.
For this episode focusing on how craft, creativity and our relationship with the planet can help us rethink established narratives and contribute to addressing historical injustices of the past, we visit the Radical Acts Biennial, an initiative from Harewood House. Joining our host, journalist and author of Africa is Not a Country, Dipo Faloyin, are independent curator Ligaya Salazar and Creative Director of Tiipoi, Spandana Gopal. Plus, Claire Ratinon, organic food grower and author of Unearthed: On Race and Roots, and How the Soil Taught Me I Belong.
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