Working on 1917 Was a Lot Like Working With the Current Brothers

Working on 1917 was a bit more like working with the current brothers, where they would really work out in a quite detailed way how the scene would be. I wanted something really hard that was, so the lamp could fall down and shoot back up at Javier sitting on the bed. And then the bathroom beyond where there's a body line is really bright. And then that was fluorescence and the whole feel of that is quite cool. So that was all kind of constructed into the set.