The New Yorker: Fiction cover image

Madeleine Thien Reads Yoko Ogawa

The New Yorker: Fiction

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Judo

The dog is like the time line, the string connecting her to her own past. He's also the thing that keeps dragging her at the end of the leash to see the man and the boy. I thought that was such a great young image. There was something about the aftermath en. Even the yoko toata of miracame,. there's a lot of writing about, not the catastrophe itself, but aftermath. And i feel this with yoko ogawa. That's maybe why we don't get what came before.

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