The Nietzschean Critique of the Spirit or the Soul

The man incapable of art creates for himself a kind of art precisely because he is the inartistic man as such. In depth of music he changes his musical taste into an appreciation of the understandable word and tone rhetoric of the passions. The stillo represent Tativo and into the volarfutuousness of the arts of songbecause he is unable to behold a vision. He forces the machinist and the decorative artist into it.