The WGA wants higher minimums. They want more guaranteed writers per show to keep the system alive. But when you're reducing the writer's room, what happens for the future of the industry? So people like Shonda Rhimes will get her $100 or $200 million contract. She did Grey's Anatomy from the network days. Now, who's going to be the next Shonda Rhime? Because she's not even that person. He's even getting the opportunity to operate in a writer's room and manage other writers. Do you see what I'm saying here? Yeah, yeah, yeah.

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