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Why You Shouldn't Choose a Lane as a Filmmaker

The No Film School Podcast

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How to Approach Different Formats as a Director

"It's a good reminder at how vulnerable it is to be an actor in front of the lens period," she says. "I do feel like sometimes it's forced me to think differently about how I tell stories where if you have an hour and a half and then suddenly you have 30 seconds...you have to think so so differently, right?" She adds: "Even if I'm doing a 30 second spot for a brand that it's rooted in good characters and good storytelling."

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