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ART OF THE CUT WITH THE EDITORS OF "SEVERANCE" - Geoffrey Richman, ACE and Erica Marker, ACE
Art of the Cut
How to Approach a New Bunch of Dailies
I like working more like with the timeline than the bin. So I lay everything out into a string out, especially with the multiple cameras. Seeing where my markers fall definitely helps throughout the editing process. Once I've watched the whole string out, I will go back and pull from the sections I like and make a select reel. And that's what I'll use to start building the first cut.
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