109: Enrico Baiano
Nikhil Hogan Show
Exploring Bach's Music and Playing Non-Classical Music
They discuss their favorite pieces by Bach, the emotional depth and complexity of the writing, finding their mother's old book of Bach, and being inspired to try writing their own fugue. They also talk about playing non-classical music.
My guest today is Harpsichordist and Fortepianist Professor Enrico Baiano. An award-winning international performer, Baiano has extensively recorded works by JS Bach, Johann Jakob Froberger, and Domenico Scarlatti to name a few.
He has published a method for the Harpsichord in 2010 and with Marco Moiraghi, published a book called “The sonatas of Domenico Scarlatti” in 2014.
00:48 Beginnings 2:25 When did you start playing keyboard instruments? 2:53 What made you decide to make music your career? 3:41 Did you get a teacher to learn the harpsichord? 6:57 How long did you study the harpsichord at the beginning? 7:37 What age were you while studying composition? 7:51 How did you learn composition? Was it the old tradition or new? 11:26 Did you listen to other styles of music growing up? 12:41 How you learned contrasted with the partimento approach 14:30 How extensively did you study with this older teacher? 14:53 Were these private lessons or at the conservatory? 15:43 Did you learn the modern methods of analysis like function theory and roman numerals? 17:09 Were you one of the few students improvising? 18:10 When did you get acquainted with partimento? 19:39 Italians not feeling proud of their heritage 20:36 Learn Fenaroli in 1982 21:49 Was there anything new in the partimento that you didn’t already know? 22:59 Are you able to distill music in the repertoire down to their basic forms? 24:24 Did you work on written counterpoint in your studies? 27:20 What is the difference between harmony and counterpoint? 28:46 What’s the difference between learning composition today vs back in the 18th century? 33:15 On the concern about the listen-ability of modern, contemporary music 36:35 the link between older music like Domenico Scarlatti and later composers like Brahms 38:56 Beethoven being very familiar with Scarlatti 43:35 What do you think about hexachordal Italian solfeggio system? 45:33 How should someone learn partimento? 46:33 On Durante, Zingarelli and others, having more difficult partimenti than Fenaroli 47:37 How should someone learn counterpoint? 48:34 What do you mean by Fux being “too late”? 51:17 Do you need a teacher to learn counterpoint? 51:42 Is figured bass still relevant in the modern age? 54:03 Chord Invertibility/Fundamental bass vs Counterpoint 57:45 On the question of certain chordal inversions not being equal 59:02 What do you think of Glenn Gould’s interpretations? 1:03:42 What’s the balance between learning repertoire and improvisation/composition? 1:05:50 What do you make of the amazing surge of interest in partimento and other older methods of learning music? 1:09:29 Do you use these older methods when looking at music like Ravel or Debussy? 1:13:07 Top 3 Pianists 1:13:32 Top 3 Partimenti composers 1:14:00 Top 3 Domenico Scarlatti Sonatas 1:16:59 Top 3 Pieces from Bach’s WTC 1:19:59 If you could meet any musician from history, who would it be and what would you talk about? 1:20:38 Do you play non-classical music for fun? 1:21:58 Upcoming projects and Wrapping up
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