
Tom Stoppard on “Leopoldstadt,” and Geena Davis talks with Michael Schulman
The New Yorker Radio Hour
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I'd Rather Write a Miniature Than Nothing
When I finished Leopoldstadt, I was really glad about the fact that I'd finished on a big thing. So it struck me as a good idea to retire at that point. My last direct and personal experience of writing plays would turn out to be sitting in the Windham Theatre in London and then the Longacre Theatre in New York City. If it turns out my last direct experience was sitting in an audience watching and listening to Leopoldstad, that would be a fortunate destiny. And I might not yet have escaped that fate because I'd rather write a miniature than nothing. It is one's work which makes one's life purposive. You don't get enough energy
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