2min chapter

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669: Dallas Taylor | The Psychology of Sound Design

The Jordan Harbinger Show

CHAPTER

The Fletcher Munson Curve Is What We're Hearing

A lot of times when we're pulling music under, we're boosting the low end because we want to keep that perceived low end. When we really want to ake it hard on us, our mixers, or me, will mix things at a very low volume and make sure we can hear every nuance of it. But when you crank that up, it's just like it's a tool in the tool kit to beef up kind of just the frequency range.

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