The Screenwriting Life with Meg LeFauve and Lorien McKenna cover image

7 | Mastering Structure In Your Screenplay: Part II

The Screenwriting Life with Meg LeFauve and Lorien McKenna

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Is There an Ultimate Test?

The world of the plot has to respond to that character waking up a little more. It's also probably why he made them stake, right? Because he just couldn't, right, deal with it. I mean literally in, you know, andrew stanton sometimes likes somehin. And they're getting, i befishint a a in dorye. Nowi ago, well, that's interesting. So you can handle that. How bout this interesti this going to make you revert to your old behaviour? I think it's gun eh,. And they're going to see this character, probably with the help of the man relationship, right? Rise to that occasion and rise

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