Keith Underwood (Part 1): On the Art of Imitation, and How to Glean Transformative Insights From Great Musicians to Level Up Your Playing.
The Bulletproof Musician
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You've Been Liked, but You're Not Really Listening Oftentimes
Sally Kohn: I love the idea that you're learning from multiple different instruments in different sources. Singers, violinists, et cetera, not just other flutists. And evenh aabout the climate in the sixties being encouraging of your experimenting and pursuing things where perhaps now you may not. You tha, your teacher, salmato, taught you how to listen. But i'd never seen anybody who put a needle on a record and said, hear that? This is what the personis playing. It wasn't like a flute player. We were just learning, we were just learning it off the records.
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