Ade has this for a super duper e, like a concrete interpretation. She is in a movie. Sheis currently filming this movie. It's in the middle of filming the movie that she decides to stop talking. But the cameras keep rolling. They're just there. And when she steps on the glass, the movie has to lt cut when she's about to be thrown hot water or oil into her face. So really is as as alma says about her at the very beginning of the movie, she's mentally strong its. Like you could definitely also run something where she is a projection of almas and, you know, maybe the projection of somebody also.
David and Tamler dive into Ingmar Bergman’s 1966 masterpiece Persona, a film about two (?) women, Elisabet, a famous stage actress who has stopped speaking, and Alma the chatty young nurse assigned to care for her at an island cottage. What happens when the roles we play as parents, spouses, friends, and colleagues start to feel like dishonest performances, an endless series of desperate lies? Can we escape to an inner sanctum of truth and authenticity? Or is that putting on another mask, playing yet another part, telling a different set of lies? We offer some tentative interpretations of this rich and baffling film. Get that boy a normal sized sheet!
Plus we share some thoughts about the Chappelle special…
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