Juan Damariis Madel Negron first experienced the impossible at four or five when his father took him to see a stage magician. He came into contact with Arturo de Escagno, a lawyer by trade who was becoming the Aminon's Greece of the Spanish scene. Slidini practiced a sui-generous style of sleight of hand that was a balletic extension of his expressive gestures. Though there must be a hidden method, it cannot be perceived. It is supplanted by a magical gesture like the sprinkling of magic dust.

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